This page of original art is from SWAMP THING #62, which was the first issue I both wrote and drew. It features SWAMP THING, who with the aid of a Mother Box has formed himself into an organic version of METRON’s Mobius Chair. Together they are attempting to pierce the final barrier into the SOURCE. Inks by Alfredo Alcala and lettering, on the board, by John Costanza.

This piece is on the oversized 13.5″ x 20″ boards that DC used briefly in the 80′s. It’s in perfect condition. I’d like to get $200 for it. If interested, give me a shout.

And check out my on-line gallery. There are covers, complete stories and nice pages of art to look at; some sold, some still available.

UPDATE: We have a buyer.

Of all the Alan Moore written GREYSHIRT stories, the one people ask me about the most is “VERMIN” from Tomorrow Stories #11. In it, Hitler, Goebbels, Himmler and the Nazi army are reincarnated as cockroaches living under the sink of an Indigo City apartment and intent on conquering the nearby peddle-bin. You can actually own page 5 from “VERMIN”, written by Alan Moore, art by Rick Veitch and lettering on the board by Todd Klein. It’s on an 11 x 17″ Wildstorm board and in perfect condition. I’d like to get $250 for it.

Note: I’ve got a few other pages from “VERMIN”, including the splash page. If you are interested, shoot me an e-mail.

Other original art I’ve put up for sale on this site, some taken and some still available, is always on view in the gallery.

This is a page of original art from SUPREME #50, “A LOVE SUPREME”. It features the death of SUPREME’s beloved LURIEL, an angel who has descended from idea space only to be corrupted by humanity. It’s in perfect condition. Pencils and inks by me, script by Alan Moore and lettering on the board by Todd Klein.

I’d like to get $250 for it. If you are interested in making it yours send me an email.

You can view the other pages of original art I’ve offered; a lot have found buyers but some are still available.

I don’t think there has ever been another character origin in comics shown like this. It’s the last page of Swamp Thing 76 when Abby and Swamp Thing (who has taken over Constantine’s body) physically conceive the next Earth Elemental. Script and pencils by me. Inks by Alfredo Alcala and lettering by John Costanza. It’s executed on the extra large (13.5″ x 19.5″) boards DC used for a short time in the 1980′s and is in perfect condition. The next issue blurb at the bottom is pasted up. I’d like to get $275 for it.

If you’d like to make it yours give me a shout.

A few of the other pages I’ve posted for sale are still available too.

You can be the proud owner of this “Bad Girl” original art from GREYSHIRT: INDIGO SUNSET #2. Story and art by me with lettering, on the board, by Todd Klein. It’s in perfect condition and I’d like to get $300 for it. If you are interested just jerk my chain.

Other pieces I’ve put up for sale, many sold but some still available, can be viewed in the gallery.

Available for purchase is the cover art to GREYSHIRT: INDIGO SUNSET #6, with GREYSHIRT pulling back the curtain to reveal an unexpected invasion of Hairy Eyeballs. This one was a real crowd pleaser when it first appeared back in 2001. The original is in perfect condition and I’d like to get $500 for it.

If you are interested, give me a yodel.

UPDATE: We have a buyer.

Other pieces of original art, some already sold and some still available, can be viewed in the gallery.

I’m offering this page of original art, from SUPREME #50, for sale. It’s page 13 and shows the angel LURIEL, who SUPREME loves, having a hard time adjusting to life in the real world. Script by Alan Moore. Art by me in my retro style. Lettering, on the boards, by Todd Klein.

The page is in perfect condition. I’d like to get $225 for it. If you would like to make it your own, just get in touch.

UPDATE: We have a buyer.

There are other pages of original art available, from all across the spectrum of my career, in the gallery.

Here’s a nice double page spread from SWAMP THING 76 I’m offering up for sale. Script and penciling by me, inks by Alfredo Alcala and lettering (on the boards) by John Costanza. It features THE DEMON and PHANTOM STRANGER observing the moment of conception when the SPROUT enters ABBY’s womb. Then the action moves to Heaven’s North Slope where GOOD and EVIL hold each other in eternal balance.

These pages were done on the extra large size art paper that DC used for a while in the 1980′s, so the whole spread, on two separate boards, measures a whopping 24″ x 19″. Below are closeups each of each board.

Both pages are in very good condition with the usual amount of editorial blue-lining and a few lettering corrections. I’d like to get $350 for them. If you are interested, just shoot me an email.

UPDATE: We have a buyer.

Check out the other originals I have for sale in the gallery.

SWAMP THING pages from Alan Moore’s run are as scarce as hens teeth, but here’s your chance to own Page 13 from SWAMP THING #61. It features MEDPHYL, a vegetable GREEN LANTERN, confronted with a giagantic SWAMP THING made up of the citizens of MEDPHYL’s home planet. Pencils by Rick Veitch, inks Alfredo Alcala and lettering, on the board, by John Costanza.

This page is in perfect condition. The hand of the GREEN LANTERN is statted in panels 2 and 3. Typical editorial blue lining. I’d like to get $300 for it. Shoot me an email if you are interested.

And check out my gallery of other pages (some of which has already sold).

UPDATE: We have a buyer.

Here’s a neat little gem I’m offering for sale. It’s the complete 4 page STORYBOOK SMITH story from JUDGEMENT DAY #3. Script by Alan Moore, art by Rick Veitch, lettering by Todd Klein. Art is pen, brush and ink on 11 x 17″ boards. Lettering is cleanly pasted up on the artwork.

There can’t be many complete Alan Moore stories available anywhere. I’d like to get $900 for this one. If you are interested, give me a shout.

UPDATE: We have a buyer.